Reader 2: Some received the talent of singing, some dancing, some painted pictures of waterfalls in the moonlight. Others were talented in public speaking, baking cookies, pushing children up and down on the playground swings, or visiting the sick. Still others received talents enabling them to collect money, vacuum the floor, or teach.
Reader 1: After the Master finished handing out talents, he addressed his servants.
Reader 3: “I am going on a long journey. As my servants, work wisely with the talents I have given you.”
Reader 1: With that, he left.
Reader 2: Then, a fellow who had the talent of organization spoke up.
Reader 3: “Very well, Let’s band together in our Master’s service, using these talents to do the work he has left us.”
Reader 2: He pointed at a servant who had the talent of speaking the Master’s words.
Reader 3: You will remind us of what the Master has said. Those of you who have musical talents will sing to us of the Master and his work.
Reader 1: So it went, and before long each servant was given something to do according to his talent. Some cared for servants who were old or ill, some brought water to those who toiled in the Master’s orchards, some invited strangers into their homes and made them feel welcome, and some taught others about the Master and his goodness.
Reader 2: Soon a group of servants who could use hammers and saws built a meeting house for the benefit of all, and those who were talented in making furniture and sewing curtains furnished it. People came from miles around to the meetinghouse to hear of the Master and honor him.
Reader 1: For awhile the Master’s work flourished, but on a day a change occurred. A servant who was talented in mending shoes decided his task wasn’t important enough.
Reader 4 “I want to do something important, like singing or speaking
the Master’s words in the meeting house. Mending
shoes is for nobodies.”
Reader 3: “But mending shoes is important, wouldn’t it be harder to do the Master’s work in bare feet?”
Reader 4: “That’s not my problem, I want a more important
place. Those singers and speakers we’ve got now aren’t so
Reader 1: The servant whose talent was mending shoes promptly stopped exercising his talent. Before long the other servants’ shoes began to leak, and they became discontented, too.
Reader 4: “I’m tired of working with wet feet, let’s hire a shoemaker.”
Reader 3: “I want a more important job, too, placing long-distance phone calls to the Master isn’t very exciting.”
Reader 4: “Yeah, I’m tired of inviting strangers into my home. Let somebody else do it.”
Reader 2: Soon the length and breadth of the Master’s property was in an uproar. Some servants refused to exercise their talents, while others demanded a more exalted place. Some accused others of laziness or being puffed up. Some felt that their work required too much work. Still others said that certain talents should not be exercised, that perhaps the Master had not meant to give them at all.
Reader 1: When the Master’s business had finally ground to a halt, the servant who had the talent of organization called an emergency gathering in the meetinghouse.
Reader 3: “All right!!! The Master’s plan for us to carry out his work according to the talents he gave us is obviously not going to work. Therefore we will make the following changes:
“One: The speakers of the Master’s words will also visit the sick, teach outsiders about the Master, sing, talk to strangers, and perform organizational duties. But their most important task will be to try to convince the rest of us to work, too.
“Two: Should a servant decide to work, his job will be determined by what he feels like doing and how convincing the speaker of the Master’s words has been. Servants are welcome to keep their talents, but need not feel obligated to exercise them.”
Reader 1: The servant whose talent was organization left the platform,
surrounded by the cheers of the congregated servants. The few speakers
of the Master’s words reluctantly took on their new responsibilities, and
the rest of the people went home.
© Mike Treachler, all rights reserved
This play may be performed free of charge, on the condition that copies are not sold for profit in any medium, nor any entrance fee charged. In exchange for free performance, the author would appreciate being notified of when and for what purpose the play is performed. He may be contacted at: firstname.lastname@example.org